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with straight and wide roads
A hierarchy of common spaces that we read as codes of entry
and avant-garde are widely present
Meridian presents a generative art project by the same name
as opinion turned against the modernist concrete architecture
Bajo el signo del arrepentimiento criminals with straight and wide roads138 x 210 mm 152 pages (includes 17 illustrations) Design: Setanta Translation: Teresa Arijn Is regret a form of memory? A way of narrating ourselves? An act of imagination? Alejandro Cesarco has developed an unorthodox artistic practice drawing on repetition, narrative, reading, and translation. In this book, Bajo el signo del arrepentimiento, where he questions an art trajectory governed by the principle of production and aimed at success, he
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