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They are part of a broader body of work looking at the Saltmarshes on the river Dart in Devon
The colours I have used lend a feel of perhaps 1930 or 1940s
There is a rhythm to the flower heads as they jostle for position in the shiny coffee pot
you have my word it is delicious
This was the first time that I used iron dust with the layers of gesso
Summer at Canonteign. Sea They are part of aThis is a pastel drawing of the view across the meadows looking toward the labyrinth that was commissioned by the Baylis family on the Canonteign estate. A cluster of vivid, gold flecked details sparks curiosity, directing attention to the lower left corner of this landscape. The shimmering specks set the stage for a fluid interaction between the colours that follow. Cascading purple, blue, and green marks create an energetic foreground, weaving an