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Arriving on set expecting a regular days work, Beckford found herself in for a surprise

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The ruffle detail adds just enough drama without trying too hard - elegant, effortless, and completely unforgettable
He designed the clothes she would wear in almost all of her future films, including Funny Face (1957), Love in the Afternoon (also 1957), Charade (1963), Paris When It Sizzles (1964), How to Steal a Million (1966), Two for the Road (1967) and, of course, Breakfast at Tiffanys
The bridesmaids wore Maroon

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